It was the one band that Dave Grohl believed he would never be able to join because he was physically incapable of doing so

The goal of every artist is to perform on stage with their favorite band at some point in their career. No matter how many times they assert that they want to carve out their own position in rock and roll music, no musician would give in to the idea of one of their idols asking them to come onstage with them to play a few songs. This is because one of their idols would be asking them to perform with them. Despite the fact that Dave Grohl has had the chance to collaborate with a greater number of musicians than the majority of people can count, he believed that the concept of him performing as Neil Peart’s replacement for a complete show would be extremely painful for him.

Taking into consideration the amount of force that Grohl possesses without anyone else behind the kit, this is quite peculiar. Even when he was recording The Colour and the Shape with Foo Fighters, hearing him play those elaborate fills in the midst of ‘Everlong’ tells you everything you need to know about who was behind the kit despite the fact that there are some parts in Nirvana songs that are obviously more indebted to simplistic drumming. There was already a new John Bonham, despite the fact that the heyday of classic rock had come to an end.

Peart was the equivalent of Bonham, and Keith Moon revealed himself as a single individual. However, Bonzo has a place in the history of rock & roll. Throughout Rush’s career, Peart performed as if he was attempting to disassemble every component of his kit by the time the song was over. He would typically add extensions to everything when the power three was working on albums such as A Farewell to Kings and Hemispheres.

Peart, on the other hand, was nearly mathematically accurate in everything he performed, in contrast to Moon and Bonzo, who used their instincts to play. In spite of the fact that their songs ballooned into 12-minute exercises, each of his drum fills became rhythmic hooks just as much as any of Alex Lifeson’s guitar fills. There was not a single component of the kit that was not touched at least once throughout a performance.

Before you ever get to the keyboard phase of the band, Peart gave operating machinery a run for its money on projects such as Signals and Power Windows. This is before you know anything about the keyboard phase. There is a good likelihood that any drum machine or percussion AI program would be unable to keep up with what he was doing when blazing through ‘2112’ or ‘La Villa Strangiato’ even if he were still alive today.

And despite the fact that Grohl spent a lot of time in his bedroom practicing his guitar skills to Rush songs, he was fully aware of his limitations and realized that he could never be Peart’s replacement. When asked if Geddy Lee or Lifeson would ask him to join them, Grohl responded with a resounding “no.” He told Rolling Stone, “I would say, ‘I’m not physically or musically capable, but thanks for the offer.'” Grohl was responding to the question regarding if such a request would be made. We’re talking about a completely other species of drummer when we talk about Neil Peart. Despite the fact that I am aware of the arrangements, I am like Meg White to Neil Peart.

Nevertheless, it is possible that Grohl has a very different perspective on the instrument than the rest of us do. Grohl has always approached music from a place of fun, regardless of whether he is behind the kit or working on writing the next anthem. Therefore, it is clear why he would not want his job to be an endurance test every night. Grohl has always come at music from a happy place.

Nevertheless, the fact that Grohl would be willing to engage in such a debate with another musician is evidence of the fact that he is a musician who is well-rounded. When he was in Nirvana, he could still pound out a drumbeat just as well as he did now, but no percussionist would have the audacity to claim that they are capable of competing with God.