Fans Crown j-hope & GloRilla’s “Killin It Girl” as the Week’s Top New Music Release

 


Fans Crown j-hope & GloRilla’s “Killin It Girl” as the Week’s Top New Music Release

In a powerful display of fan support and cross-genre collaboration, j-hope and GloRilla’s sizzling new track “Killin It Girl” has been voted the favorite new release of the week by music fans. The explosive single soared to the top of Billboard’s latest poll, published Friday (June 13), earning a staggering 87% of the vote—an overwhelming landslide that left every other competitor in the dust.

This unique team-up between the BTS superstar and Memphis’ rising hip-hop powerhouse is not only turning heads but also turning up the heat. Combining j-hope’s polished artistry and GloRilla’s bold Southern swagger, “Killin It Girl” is a genre-blending statement that proves both artists are unafraid to take bold creative leaps—and fans are clearly here for it.

A Song Built for a Summer Takeover

From the moment the beat drops, “Killin It Girl” feels like a certified anthem. The track’s hypnotic production and confident lyrics are designed to grab your attention—and never let go. GloRilla brings her signature raw energy, playing the role of an unapologetic femme fatale who knows exactly what she wants. “He said I be killin’ it, I said I do this everyday,” she raps with magnetic attitude, delivering one of the song’s most quotable lines.

Meanwhile, j-hope slides in with his signature rhythmic finesse and lyrical smoothness, creating a perfect contrast to GloRilla’s aggressive flow. The chemistry between the two is undeniable, as they seamlessly blend Korean and Southern hip-hop influences into a global bop.

The result? A track that doesn’t just cross borders—it breaks them.

A Landslide Victory

In Billboard’s weekly fan poll, “Killin It Girl” didn’t just win—it dominated. With 87% of the total votes, the song crushed new releases from several high-profile artists, including Lil Tecca’s new album Dopamine, Mark Ronson and RAYE’s duet “Suzanne,” Zara Larsson’s “Midnight Sun,” Brandon Lake’s King of Hearts, and Gunna’s “Won’t Stop.”

The second-most voted option? The vague “Other” category, which trailed far behind with only 10%. No other single or album in the poll earned more than 1% of the vote. The message from fans was loud and clear: j-hope and GloRilla are killing it—literally.

j-hope: A New Era of Music

“Killin It Girl” marks yet another high point in j-hope’s solo journey, which has seen him evolve into a genre-defying artist beyond the world of BTS. This year alone, he’s released multiple singles that showcase different sides of his musical identity. Earlier this spring, he dropped “Sweet Dreams” featuring Grammy-winning R&B singer Miguel, a track that leaned into sultry, late-night soul vibes. Not long after, he followed up with “Mona Lisa,” a high-energy, hip-hop-leaning track filled with swagger and attitude.

Speaking to Billboard in May, j-hope explained the creative direction behind these solo ventures:

“Both tracks are easy to connect with, yet they offer a glimpse into the broader, more evolved musical world I’m building. This is just the start — I have plenty more musical experiments in store.”

It’s clear that j-hope is approaching his solo career as more than just a side project—this is a new chapter of artistic exploration, and “Killin It Girl” is proof that he’s pushing boundaries with every release.

GloRilla’s Rising Star Power

For GloRilla, this collaboration with one of K-pop’s biggest names is another major step in her fast-rising career. Since breaking through with her viral hit “F.N.F. (Let’s Go),” the Memphis-born rapper has become known for her gritty lyrics, bold style, and fierce presence. Her inclusion on “Killin It Girl” doesn’t just elevate the track—it marks a cultural fusion that underscores her growing global influence.

She holds her own alongside j-hope, delivering punchy bars and commanding attention with every line. Her performance is a reminder that GloRilla is not only a rapper to watch—she’s a powerhouse artist ready to shake up the industry, one verse at a time.

HOPE ON THE STAGE: A Tour to Remember

Beyond studio releases, j-hope has also been lighting up stages around the world. His HOPE ON THE STAGE tour saw him perform to packed venues across North America, culminating in a pair of sold-out shows at Brooklyn’s Barclays Center in March. The tour concluded on June 13 with a final concert at Goyang Stadium in South Korea—bringing his global trek to a triumphant close.

From powerful performances to heartfelt fan interactions, the tour showcased j-hope’s evolution not only as a performer but as a solo artist with a clear vision. Each show was a blend of spectacle and intimacy, offering fans a deeper connection to the man behind the mic.

The Power of Fan Votes

The success of “Killin It Girl” in Billboard’s poll is another testament to the passion and influence of j-hope’s fanbase—especially ARMY, who continue to rally behind his solo work with unwavering dedication. But it also signals something larger: the growing appetite for cross-cultural, cross-genre collaborations that bring new energy to the global music scene.

With artists like j-hope and GloRilla leading the charge, fans can expect more dynamic musical pairings that defy expectations and break down barriers. Whether it’s K-pop meets hip-hop, or Seoul meets Memphis, the future of music is collaborative—and the fans are here for it.

Final Thoughts: A Collaboration That Works

In an industry where many collaborations can feel forced or superficial, “Killin It Girl” stands out as a genuine meeting of minds. Both j-hope and GloRilla bring their A-game, creating a track that feels fresh, exciting, and unforgettable. It’s a win for them—and a win for fans who crave bold, boundary-breaking music.

As j-hope continues to redefine what it means to be a global solo artist, and as GloRilla cements her spot as one of hip-hop’s most exciting new voices, “Killin It Girl” will likely be remembered as a pivotal moment in both of their careers.

And if the poll results are any indication, they’re not just killin’ it—they’re owning it.


 

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